January

Enrique Lihn, The Dark Room and other poems, various trans, New Directions, 1963-1978; Marianne Morris, Tutu Muse: Prophylactic Poetry for the Last Generation, Fly by Night, 2007; Sarnath Banerjee, Corridor, Penguin, 2004; Rob Fitterman, now we are friends, Truck, 2010; Elena Alexander, Footnotes: Six Choreographers Inscribe the Page, G+B Arts, 1998; Fred Moten, B Jenkins, Duke, 2010; Jess Walter, The Financial Lives of Poets, 2010 (audiobook); Kathy Acker (as The Black Tarantula), The Childlike Life of the Black Tarantula, TVRT, 1973; Kathy Acker, New York City in 1979, Top Stories, 1981; Antonio Gramsci, Selections from Cultural Writings, trans William Boelhower, c1913-35, trans 1985 (excerpts); Andre Lepecki, “Inscribing Dance”, 2004; Thomas Laqueur, “Credit, Novels, Masturbation” & Peggy Phelan, “Thirteen Ways of Looking at Choreographic Writing”, both in Choreographing History, ed Susan Leigh Foster, Indiana UP, 1995; Antonio Lobo Antunes, South of Nowhere, trans E Lowe, Random House, 1979/83; Sherry Turkle, ed, Evocative Objects: Things We Think With, MIT 2007 (selections); P-Queue #7 (Polemic), ed Andrew Rippeon, 2010; Paul Bowles, Let it Come Down, 1952 (audiobook); Claire Bishop, “Antagonism and Relational Aesthetics,” October, 2004

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