Kathy Acker, Bodies of Work, Serpent’s Tail, 1997; Karen Tei Yamashita, I Hotel, Coffee House, 2010; Bob Ostertag, “Human Bodies, Computer Music,” Leonardo Music Journal, 2002; Try, ed Brazil/Larsen, Feb 2011; Emily Roysden, et al, A Queer Relational Associative Project Dictionary, Berkeley Art Museum, 2010; Arjun Appadurai, “Commodities and the Politics of Value,” in The Social Life of Things, ed Appadurai, Cambridge, 1986; Willa Cather, My Antonia, (audiobook), 1918; Roger Farr, Surplus, Line Books, 2006; Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Duke, 1993; Pussy pussy pussy what what, Astrid Lorange, 2010; Colette, La Vagabonde, 1910 (audiobook); Martin Kippenberger and Albert Oehlen, Poems, translated by Tom Comitta and Reece McGowen, unpublished MS; Lenora Champagne, “Getting over Tom”, and Laurie Carlos, Jessica Hagedorn, & Robbie McCauley, “Teenytown,” in Out From Under: texts by women performance artists, ed L Champagne, Theater Communications Groups, 1990; Claire Bishop, “The Social Turn: Collaboration and its Discontents”, 2006; Oswald de Andrade, “Manifesto Antropófago” (Cannabilist Manifesto), trans and annotated by Leslie Baary, Latin American Literary Review, 1991 (orig. 1928).

Plus Alex Case and Dan Grayber @ Johansson Projects; Yoshua Okon, Jennie C. Jones, and “Audience as Subject” @ Yerba Buena Center; Lærke Lauta @ Mills Art Museum, Chris Fraser & Weston Teruya @ ProArts; Eva Hesse & Emily Roysden @ Berkeley Art Museum, “Heretical Hierarchy” @ Stanford Art Gallery, “T_XT_RT” @ Jenkins Johnson Gallery, Enrique Chagoya @ di Rosa Preserve.


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