April

Sean Bonney, Documents, Barque, 2009, Joshua Castell, Letters from Abu Ghraib, Essay Press, 2008, Roberto Schwarz, “In the Land of Elefante,” trans. John Gledson, NLR, 2003, Gabriela Jauregui, Controlled Decay, Black Goat, 2008, Karen Tei Yamashita, Through the Arc of the Rainforest, Coffee House, 1993 (audio), Nella Larsen, Passing, 1923, Raymond Patterson, 26 Ways of Looking at a Blackman, Award Books, 1969, Boris Groys, “Marx after Duchamp, or the Artist’s two bodies”, and “Art and Money,” e-flux, 2010/11, Franco Berardi, “Cognitarian Subjectivation,” e-flux, 2010, Kathy Acker, Rip-Off Red, Girl Detective, Grove, 2002 (1973), Pierre Guyotat, Coma, trans Noura Wedell, Semiotext(e), 2010/06, Marion von Osten, “Another Criteria… or, What is the Attitude of a work in the relations of production of its time?” Afterall, 2010, Valentine de Saint-Point, “Manifesto of Futurist Woman,” 1912, Dodie Bellamy, The Buddhist, Publication Studio, 2011,  Try, ed Brazil/Larsen, April 2011, Ariel Goldberg, The Photographer Without a Camera, Trafficker, 2011, Karen Brodine, Illegal Assembly, Hanging Loose, 1980.

Plus Trevor Paglen @ Altman Siegal, Sol LeWitt @ Frankel, Katherine Van Dyke at Steven Wirtz, Nayland Blake @ Paula Anglim,  “Liminal Takes –Mujeres Latinoamericanas en el Arte” curated by Frida Cano, Mission Cultural Center, “On the Ground,” curated by Weston Teruya, Southern Exposure, Hasan Elahi @ Intersection for the Arts.

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