Roland Barthes, Elements of Semiology, trans Annette Lavers & Colin Smith, 1964, Simon Morley, Writing on the Wall: words and image in modern art, UCalifornia, 2003, Ursule Molinaro, Bastards: Footnotes to History, Treacle, 1979, and Thirteen, McPherson, 1989, Jiri Valoch & BP Nichol, eds, The Pipe: Recent Czech Concrete Poetry, 1973, reprint Ubu Editions, NH Pritchard, The Matrix, Doubleday, 1970, and Eecchhooeess, NYU, 1971,  Jaimy Gordon, Circumspections from an Equestrian Statue, Burning Deck, 1979, Patti Smith, Just Kids, Ecco, 2010, Susan Meiselas, Nicaragua, Aperature, 1981, Kay Rosen, lifeli[k]e, MOCA, 1998, Inger Christensen, The Painted Room, trans Denise Newman, Harvill, 1976/2000, Ferruccio Brugnaro, Fist of Sun, trans Jack Hirschman, Curbstone, 1998,  John Cheever, “The Swimmer,” 1964, Reinhard Lettau, Obstacles/Enter Manig, trans Ursule Molinaro, Random House, 1965, Bern Porter, Wastemaker, Abyss, 1962, Wolfgang Hildesheimer, Collected Stories, trans Joachim Nuegroschel, Ecco, 1987,  Against Expression: an anthology of conceptual writing, eds Dworkin & Goldsmith, Northwestern, 2011, Jean Francois Billeter, excerpts from The Chinese Art of Writing (1989), Seth Price, Décor Holes, Dispersion, 2005, Julie Perini, “Relational Filmmaking: a manifesto & its explication,” Afterimage, 2011, Griselda Pollock, “Opened, Closed, and Opening: reflections on feminist pedagogy in a UK university,” n.paradoxa, 2010, Peter Downsbrough, Position, 2003, and Hauptstrasse 27, 1998, Marie-Therese Campesme, Notes: Conversations with Peter Downsbrough, Facteur Humain, 2007, Kelly Dennis, “Gendered Ghosts in the Globalized Machine: Coco Fusco and Prema Murthy,” n.paradoxa, 2009, Elspeth Probyn, “Writing Shame,” in the Afftect Theory Reader, Duke, 2010, Mat Johnson, Pym, Spiegel & Grau, 2011, Laura Kipnis, “Marx: the Video: A Politics of Revolting Bodies,” video script, 1990, Ingeborg Bachmann, The Book of Franza & Requem for Fanny Goldmann, trans Peter Filkins, 1973/2010, The Vienna Group: 6 major Austrian Poets, trans Rosmarie Waldrop & Harriet Watts, Station Hill, 1985, Ursule Molinaro, Encores for a Dilettante, Fiction Collective, 1979, David Joselit, “Allegories of Criticism,” October 103, 2003,

Plus Kurt Schwitters, Desiree Holman, & “Create” @ Berkeley Art Museum, & Faustin Linyekula/Studios Kabako @ Yerba Buena Center


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