Claire BIshop, Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012, Dario Fo, Abducting Diana, adapt. Stephen Stenning, Oberon, 1986/94, We Won’t Pay! We Won’t Pay, trans. Ron Jenkins, 1974/2000, & About Face, trans Ron Jenkins, 1980/89, CA Conrad, “Suffering Makes 2” & “Translucent Salamander,” MS, 2012, Don Delillo, The Angel Esmerelda, 2011, Claire Tancons, “Carnival to Commons: Pussy Riot Punk Protest and the Exercise of Democratic Culture,” e-flux, 2012, Nicholas Kristof & Sheryl WuDunn, Half the Sky: turning oppression into opportunity for women worldwide, Vintage, 2009,  Paul Greenglass, United 93: the shooting script, Newmarket Press, 2006, Four From Japan, trans Sawako Nakayasu, et al, Litmus/Belladonna, 2006, Thom Donovan, The Hole, Displaced, 2012, P-Queue #9, eds H.Melgard & J.Yearouos-Algozin, 2012, Maria Irene Fornes, Tango Palace, 1963, Manuel Maples Acre, City: Bolshevik Super-Poem in 5 Cantos, trans Brandon Jolmquest, UDP, 1924/2010, Lara Durback, Projectiles, NoNo, 2012,Marie Buck, Amazing Weapons, Scary Topiary, 2011, Maria LaPalma, Facial Index, State One, 1983, Esi Edugyan, Half-Blood Blues, 2011, Olivier Lellouche, A Tools Index, De Stihl Camp, 2011, Peter Linebaugh, Ypsilanti Vampire May Day, Occupy Ypsilanti, 2012, Sachiko Murakami, The Invisibility Exhibit, Talonbooks, 2008, Reg Johanson, Courage, My Love, LineBooks, 2006, Susan Parenti, The Politics of the Adjective “Political” and other plays, 2000,

Plus Barry McGee @ BAM & “Vision in a Cornfield” @ MOCAD

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