October

Salman Rushdie, The Satanic Verses, 1988, Miranda Mellis, The Spokes, Solid Objects, 2012, Ryan Standfest, Ardent Boner #1: Ethno-Fetishiste, Rotland Press, 2012, Megan Sword & Timpani Skullface, Superior City Song, Critical Documents, 2012, Stephen Collis, The Commons, Talonbooks, 2008, Juan Rulfo, Pedro Páramo, trans Margaret Peden, Grove, 1955/94, Barbara Baracks, No Sleep, Tuumba, 1977, Laurie Anderson, Words in Reverse, Top Stories, 1982, Georges Perec, At Attempt at Exhausting a Place in Paris, trans Marc Lowenthal, Wakefield Press, 1975/2010, Maria Irene Fones, Fefu and Her Friends, PAJ, 1980, Allison Bechdel, Are You My Mother, 2012, Laura Oldfield Ford, Heathrow: the Psychogeography of Paranoia, Savage Messiah #9, 2008, Susan Parenti, “Touchy” and “The Poet Retracts,” 2000, Diana Hamilton, Okay, Okay, Truck, 2012, Frances Kruk, Sean Bonney, Harriet Tarlo, Marianne Morris, untitled chapbooks, Pilot, 2007, Virginia Woolf, To the Lighthouse, 1928, Kate Durbin, E! Entertainment, Insert Press, 2011, Machado de Assis, The Alienist, trans William Grossman, 1881/2011, Roberto Bolaño, Amulet, trans Chris Andrews, NDP, 1999/2006, Laura Kipnis, “Ecstasy Unlimited: The Interpenetrations of Sex and Capital,” 1985, Claire Fontaine, “Giving Shape to Painful Things,” Radical Philosophy, 2012, Melody Sumner, The Time is Now, Burning Books, 1983

plus Cindy Sherman & “Stage Presence” @ SFMOMA

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