Category Archives: List


Pamela Lu, Ambient Parking Lot, Kenning, 2011, Miguel Syjuco, Illuminato, 2010,  Rodrigo Rey Rosa, The Good Cripple, trans Esther Allen, NDP, 1996/2004, Flannery O’Connor, The Violent Bear it Away, 1960, Abraham Lincoln #7, eds. Mohommad & Boyer, 2012, Luisa Valenzuela, He Who Searches, trans Helen Lane, 1977/87, Mario Bellatín, Beauty Salon, trans Kurt Hollander, City Lights, 2000/09, Laura Jaramillo, The Reactionary Poems, olywa, 2008, Jeroen Mettes, “Political Poetry: A Few Notes: Poetics for N30,” trans Vicent van Gerven Oei, Continent #2.1, 2012, Lars Bang Larsen, “Zombies of Immaterial Labor: the modern monster and the death of death,” e-flux 2010, Lost Children’s School of Cartography, “Lost in the Fog: Dead Ends & Potentials of the Occupy Movement,” Nov 2011,  Carson McCullers, The Heart is a Lonely Hunter, 1940,  Sergio Chejfec, My Two Worlds, trans Margaret Carson, Open Letter, 2008/11, Keston Sutherland, Stress Positions, Barque, 2009, Dia Felix, “Los Angeles Hurricane,” 2010,

plus Yedda Morrison @ Right Window, Alexis Knowlton @ 2nd Floor Projects, “I am Crime” @ SOMArts, & Daido Moriyama, Robert Adams, Chris Burden’s Metropolis II, & “California Design, 1930-1965” @ LACMA


Alain Badiou, “Hijab,” trans/date unknown, Petroleuse Press, Lauren Beukes, Zoo City, Angry Robot, 2011, Kim Hyesoon, Princess Abandoned, trans Don Mee Choi, Tinfish, 2002/12, Ayana Byrd, “Claiming Jezebel: Black Female Subjectivity & Sexual Expression in Hip-Hop,” 2004,  Dewayne Dickerson, Chunky, V52 Press, 2004, Martha Rosler, “The Artistic Mode of Reproduction: From Gentrification to Occupation,” e-flux, 2012, Shirley Jackson, We Have Always Lived in the Castle, XX Shahrnush Parsipur, Women Without Men, trans. Kamran Talottof & Jocelyn Sharlet, Feminist Press @ CUNY, 1989/2004, Drift: a magazine of West Coast cultural production, #5, eds. Sean Collins & E. Maude Haak-Frendscho, 2012, Diana Sailer, Wikipedia Says it Will Pass, Red Ceilings Press, 2011, Joseph Yearous-Algozin, The Lazarus Project: Alien vs. Predator, Troll Thread, 2010, Marriane Morris, Iran Documents, Trafficker, 2012, César Aira, Varamo, trans Chris Andrews, NDP, 1999/2012, Homay King, “Antiphon: Notes on the People’s Microphone,” MS, 2011,  David Jones, In Parenthesis, 1937, Renee Gladman, The Ravickians, Dorothy Project, 2011, Society of Enemies, “Blockading the port is only the first of many last resorts…”, 2011, Paolo Bacigalupi, The Wind-up Girl, 2010, Etel Adnan, Sitt Marie Rose, trans Georgina Kleege, Post-Apollo, 1978/82 Lara Durback, Garbage Research 1: Hoarders & those resembling hoarders, dusie, 2011, Yukio Mishima, The Soldier who Fell from Grace with the Sea,  Sean Bonney, The Commons, Openned Press, 2011, Moniru Ravanipur, “We Only Fear the Future,” trans MR Ghanoonparvar, 1990

Plus Tadashi Moriyama & Robert Mineruni @ Johansson Projects, & Lowell Darling @ Kroswerk


Griselda Gambaro, Antígona Furiosa, trans Marguerite Feitlowitz, Northwestern, 1989/92, Diana Taylor, “Griselda Gambaro and Argentina’s Drama of Disappearance,” 1992, Zoe Beloff, “Bodies Against Time,” Triple Canopy, 2012, Grzegorz Wróblewski, A Marzipan Factory, trans Adam Zdrodowski, Otoliths, 2010, Adam Kirsch, “The New World of William Carlos Williams,” NYR, 2011, Helena Sheehan, “South Africa: The Left Must Launch a Counteroffensive,” Monthly Review, 2011, Lauen Beukes, Moxyland, 2010, Boris Vian, Foam of the Daze, trans Brian Harper, TamTam, 1947/2003, Anne Tardos, I am You, Salt, 2008, Anne Boyer, My Common Heart, Spooky Girlfriend Press, 2011, Leon Baham, Ponyboy, Sigh: a word problem, Birds of Lace Press, 2011, Teju Cole, Open City, Random House, 2011, Carson McCullers, Reflections in a Golden Eye, 1941,  Judi Carson, “The Aesthetics of Repetition: a case for Oscar Masotta,” X-tra, 2012, Lauren Berlant, “Cruel Optimism,” Differences, 2006, Erin Moure, The Unmemntioable, Anansi, 2012, Matt Longabucco, Goodbye Pangaea, in MS, Xi Chuan, Yours Truly & Other Poems, trans Lucas Klein, Tinfish, 2011, Uyen Hua, a/s/l, ingirumimusnocteetconsumimurigni, 2011, Stephen Collis, The Primordial Density Perturbation, Tinfish, 2011

Plus Francesca Woodman @ SFMOMA, “The Ungovernables” @ New Museum, “Objects in Performance” @ The Goethe Institute, Zoe Strauss @ Philadelphia Museum, Clifford Owens, Janet Cardiff, & Henry Taylor @ PS1, Yvonne Rainer @ Dia Beacon, Darrell Jones, Niall Noel Jones, Nicholas Leicther, & Regina Rocke @ Danspace Project, & Sonya Rapoport @ Mills Art Museum.


Dana Teen Lomax, Disclosure, Black Radish, 2011, Saginaw #1, ed D. Horton, 2011, Ultra-Red, 2011 Annual Report, Model Homes #5, eds. MBuck & BFlis, 2011, Rob Halpern & Brian Whitener, “Occupy Art and Poetry,” Rethinking Marxism, 2012, The Paper Nautilus, eds. Rosa van Hensbergen & Laura Kilbride, 2011,  Sven Lütticken, “General Performance,” e-flux, 2012, Fredric Jameson, Archaeologies of the Future: the desire called utopia and other science fictions, Verso, 2005, Ursula le Guin, The Dispossessed, 1974, David Graeber, “On the Phenomenology of Giant Puppets: broken windows, imaginary jars of urine, and the cosmological role of the police in American culture,” 2007, Octavia Butler, Adulthood Rites, 1988, Ariana Raines, Cour de Lion, Fence, 2007/11, Patricia Milder, “Teaching as Art: the Contemporary Lecture-Performance,” PAJ, 2011,  You Nakai @ No Collective, Concertos, UDP, 2011, Tan Lin, Insomnia and the Aunt, Kenning, 2011, Cecilia Vicuña, Sabormi, Chainlinks, 1973/2011, Brent Cunningham, Journey to the Sun, Atelos, 2011, CA Conrad, Mugged into Poetry, Cannot Exist, 2011, The Mary Nardini Gang, Toward the Queerist Insurrecton, 2011, Stevphen Shukaitis & David Graeber, “Constituent Imagination,” 2007,  JG Ballard, Millenium People, 2011 Yván Yauri, Fire Wand, trans Marta del Pozo & Nicholas Rattner, UDP, 2011, Griselda Gambaro, Information for Foreigners, trans Marguerite Feitlowitz, Northwestern, 1987/92, Cannot Exist #7, ed Andy Gricevich, 2011

Plus Allan Sekula & Bruno Serralongue @ SFAI


Various Occupy pamphlets, esp The Fiery Flying Roule, Jacqueline Rose, “On Rosa Luxembourg,” LRB, 2011, Roberto Bolaño, The Third Reich, trans Natasha Wimmer, 2011, Octavia Butler, Dawn, 1987, Tom Stoppard, The Real Thing,  1982, Andre Pieyre de Mandiargues, “The Red Loaf,” trans. Edward Gauvin, World Without Borders, 2011, Jenny Turner, “As Many Pairs of Shoes as She Likes,” LRB, 2011, Paul Chan, “A Lawless Proposition,” e-flux, 2011, Mike Davis, “Spring Becomes Winter,” NLR 2011, Rudolph Wurlitzer, Flats, 1970, and Quake, 1972, Claire Tancons, “Occupy Wall Street: Carnival Against Capital?” e-flux, 2011, Grant Kester, “The Sound of Broken Glass: Spontaneity and Consciousness in Revolutionary Theory,” e-flux, 2011, Cecily Nicholson, Triage, Talonbooks, 2011, Jaimy Gordon, Shamp of the City-Solo, McPherson, 1974, William Fox, The Void, The Grid, & the Sign: Traversing the Great Basin, Utah, 2000, Hito Steyerl, “Art as Occupation: Claims for an Autonomy of Life,” e-flux 2011,  Lauren Shufran, Inter Arma, Trafficker, 2011, Mary Butts, Imaginary Letters, Talonbooks, 1928/1979, Monika Rinck, Sixteen Poems, trans Alistair Noon, Barque, 2009, Vahni Capildeo, No Traveller Returns, Salt, 2003,

Plus Mike Meyers & Yvette Molina @ Johansson Projects, Carolee Schneemann @ Ridgway, “Working Conditions” @ Southern Exposure, “The Experimental Impulse” @ RedCat, “Phenomenal: Light, Space, Surface in California Art” @ San Diego MCA, “State of Mind: New California Art circa 1970” @ Orange County Museum.



Grand Piano Collective, The Grand Piano, Vols 1-10, Mode A, 2006-10, Jules Boykoff, “Anti-Olympics,” NLR, 2011, Mei-Mei Berssenbruge, Nest, Kelsey St, 2003, Freedom TV Nyamubaya, On the Road Again, Zimbabwe Publishing House, 1986, Claire Bishop, “Zones of Indistinguishability: Collective Actions Group and Participatory Art” e-flux, 2011, William S Burroughs, Blade Runner, a movie, Blue Wind Press, 1986, Sara Wintz, Walking Across a Field we are Focused on in This Time, forthcoming UDP, 2012, Brian Droitcour, “Making Word: Ryan Trecartin as Poet,” Rhizome, 2011, Ryan Trecartin, USA K-CoreaINC.K (Section A), ubu, 2009, Octavia E Butler, Bloodchild, Four Walls, 1995, along with the first dozen issues of the Fiery Flying Roule…

Plus “Los Angeles Goes Live: Performance Art in Southern California 1970-83” @ LACE, “Asco: Elite of the Obscure” and Glenn Ligon @ LACMA, “Under the Big Black Sun: California Art 1974-81” @ MOCA, “Now Dig This! Art & Black Los Angeles, 1960-80,” Yoshua Okón, & Sara VanDerBeek @ the Hammer, Micol Hebron @ Jancar Gallery, Jung Hwa Lee @ Sabrina Lee Gallery, Elisabeth Higgins O’Connor @ Charlie James Gallery, Darin Klein & Friends @ Human Resources, Sam Falls and Matt MoravecM&B


Nancy Fraser, “Feminism, Capitalism, and the Cunning of History,” New Left Review, 2009, Zenon Fajfer, Liberature, or total literature: selected essays, and Ten Letters, both trans Katarzyna Bazarnik, Korporacja Ha!art, 2010, Rebecca Brown, Dogs: a modern bestiary, City Lights, 2001, Alfred Arteaga, Chicano Poetics: Heterotexts and Hybridities, Cambridge, 1997, cris cheek, “Reading and Writing: The Sites of Performance,” How2, 2009?, Dexter Gordon, “Humor in African-American Discourse: Speaking of Oppression,” Journal of Black Studies, 1998,  Pamela Zoline, Annika and the Wolves, Coffee House, 1985, Donna Haraway, When Species Meet, UMinnesota, 2008, Toni Morrison, Tar Baby, 1981, Bill Luoma, Some Math, Kenning, 2011, Judith Butler, “Bodies in Alliance and the Politics of the Street,” Sep 2011, Octavia Butler, “Bloodchild,” 1995, Jules Boykoff & Kaia Sand, “Landscapes of Dissent,” Palm Press, 2007, Ishmael Reed, Mumbo Jumbo, 1971, With+Stand #5, ed Dan Thomas-Glass, 2011, Rebecca Solnit, “Concrete in Paradise,” Boom, Summer 2011, Erik Doxtader, “Characters in the Middle of Public Life: Consensus, Dissent, and Ethos,” Philosophy and Rhetoric, 2000, Andrea Fraser, “Museum Highlights,” MIT, 2005, Guerrilla Girls, Art Museum Activity Book, Printed Matter, 2004, Various Occupation publications

Plus Jason Hanasik & David Gregory Wallace @ Krowswork, “Run Off” @ MacArthur B Arthur, “Better a Live Ass than a Dead Lion ” @ Ridgway, Casteneda/Reiman & “The Matter Within: New Contemporary Art from India” @ Yerba Buena Center