Category Archives: List


Feliz Lucia Molina, A Letter to Kim Jong-Il Looking at Things, nd, Ya-Wen Ho, last edited [insert time here], tinfish, 2012, Juan Pablo Villalobos, Down the Rabbit Hole, trans Rosalind Harvey, FSG, 2010/11, Juliana Spahr, Dynamic Positioning, Belladonna, 2012, Eva Sjödin, Inner China, trans Jennifer Hauashida, Litmus, 2002/5, Hu Fang, New Species of Spaces, e-flux, 2009, Roberto Bolaño, Woes of the True Policeman,  Keston Sutherland, The Rictus Flag, Object Permanence, 2002, Anthony Barnett, North North I Said No Wait a Minute South Oh I Don’t Know (148 Political Poems), Allardyce, 1982, Lisa Robertson, The Men, BookThug, 2006, Joyelle McSweeney, Flet, Fence, 2007, Irit Rogoff, “We—Collectivities, Mutualities, Participants,” n.d., Martin Kippenberger (sic), The Happy End of the Happy End of Kafka’s America, NaNoWriNiMo, 2012, Rebecca Schneider, Performing Remains: Art and War in Times of Theatrical Reencactment, Routledge, 2011, Lindsey Boldt, Overboard, Publication Studio, 2012, Justin Katko, Death of Pringle, Film Forum, 2012,  Robert Ashley, Quicksand, Burning Books, 2011, Anne Carson, Antigonick, NDP, 2012, Laura Schultz, “Missing Link: Gertrude Stein & Postdramatic Theater,” nd, Shiv Kotecha, Paint the Rock, Troll Thread, 2011, Nicole Brossard, Mauve Desert, trans Susanne de Lotbiniere-Harwood, 1987, Giannina Braschi, Empire of Dreams, trans Tess O’Dwyer, 1988/94,  The LA Telephone Book, ed BKS?, 2012, Eduardo Halfoun, The Polish Boxer, multiple trans, 2011, Kenzaburo Oë, A Personal Matter, trans John Nathan, 1965, Yvonne Rainer, Poems, Badlands, 2012, Herman Melville, Benito Cerano, 1855, Barrett Watten, Bad History, Atelos, 1998, Margaret Atwood, The Handmaid’s Tale, 1985, Siarite Kouka, The Swing, trans Susan Gevirtz et al, 2011, and Dandelion #37.3, eds Kevin Eckhoff & Jake Kennedy, 2012


Salman Rushdie, The Satanic Verses, 1988, Miranda Mellis, The Spokes, Solid Objects, 2012, Ryan Standfest, Ardent Boner #1: Ethno-Fetishiste, Rotland Press, 2012, Megan Sword & Timpani Skullface, Superior City Song, Critical Documents, 2012, Stephen Collis, The Commons, Talonbooks, 2008, Juan Rulfo, Pedro Páramo, trans Margaret Peden, Grove, 1955/94, Barbara Baracks, No Sleep, Tuumba, 1977, Laurie Anderson, Words in Reverse, Top Stories, 1982, Georges Perec, At Attempt at Exhausting a Place in Paris, trans Marc Lowenthal, Wakefield Press, 1975/2010, Maria Irene Fones, Fefu and Her Friends, PAJ, 1980, Allison Bechdel, Are You My Mother, 2012, Laura Oldfield Ford, Heathrow: the Psychogeography of Paranoia, Savage Messiah #9, 2008, Susan Parenti, “Touchy” and “The Poet Retracts,” 2000, Diana Hamilton, Okay, Okay, Truck, 2012, Frances Kruk, Sean Bonney, Harriet Tarlo, Marianne Morris, untitled chapbooks, Pilot, 2007, Virginia Woolf, To the Lighthouse, 1928, Kate Durbin, E! Entertainment, Insert Press, 2011, Machado de Assis, The Alienist, trans William Grossman, 1881/2011, Roberto Bolaño, Amulet, trans Chris Andrews, NDP, 1999/2006, Laura Kipnis, “Ecstasy Unlimited: The Interpenetrations of Sex and Capital,” 1985, Claire Fontaine, “Giving Shape to Painful Things,” Radical Philosophy, 2012, Melody Sumner, The Time is Now, Burning Books, 1983

plus Cindy Sherman & “Stage Presence” @ SFMOMA


Claire BIshop, Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012, Dario Fo, Abducting Diana, adapt. Stephen Stenning, Oberon, 1986/94, We Won’t Pay! We Won’t Pay, trans. Ron Jenkins, 1974/2000, & About Face, trans Ron Jenkins, 1980/89, CA Conrad, “Suffering Makes 2” & “Translucent Salamander,” MS, 2012, Don Delillo, The Angel Esmerelda, 2011, Claire Tancons, “Carnival to Commons: Pussy Riot Punk Protest and the Exercise of Democratic Culture,” e-flux, 2012, Nicholas Kristof & Sheryl WuDunn, Half the Sky: turning oppression into opportunity for women worldwide, Vintage, 2009,  Paul Greenglass, United 93: the shooting script, Newmarket Press, 2006, Four From Japan, trans Sawako Nakayasu, et al, Litmus/Belladonna, 2006, Thom Donovan, The Hole, Displaced, 2012, P-Queue #9, eds H.Melgard & J.Yearouos-Algozin, 2012, Maria Irene Fornes, Tango Palace, 1963, Manuel Maples Acre, City: Bolshevik Super-Poem in 5 Cantos, trans Brandon Jolmquest, UDP, 1924/2010, Lara Durback, Projectiles, NoNo, 2012,Marie Buck, Amazing Weapons, Scary Topiary, 2011, Maria LaPalma, Facial Index, State One, 1983, Esi Edugyan, Half-Blood Blues, 2011, Olivier Lellouche, A Tools Index, De Stihl Camp, 2011, Peter Linebaugh, Ypsilanti Vampire May Day, Occupy Ypsilanti, 2012, Sachiko Murakami, The Invisibility Exhibit, Talonbooks, 2008, Reg Johanson, Courage, My Love, LineBooks, 2006, Susan Parenti, The Politics of the Adjective “Political” and other plays, 2000,

Plus Barry McGee @ BAM & “Vision in a Cornfield” @ MOCAD


Bhanu Kapil, Schizophrene, Nightboat, 2011, Fred Moten, “Black Optimism/Black Operation,” 2007, Gillian Rose, Love’s Work, 1995, Elizabeth Hand, Generation Loss, 2008, Alicia Partnoy, The Little School, trans Julia Alvarez, 1986/98, Thani Al-Suwaidi, The Diesel, trans William Hutchens, Anitbookclub, 1994/2012, Robert C Morgan, “Thoughts on Re-Performance, Experience, and Archivism,” PAJ 96, 2010, Kirsten Kaschock, Sleight, Coffee House, 2011, Jean-Christophe Valtat, 03, trans Mitzi Angel, FSG, 2005/10, Jasper Bernes, We are Nothing and So Can You, Tenured Ninja, 2012, Doreen Massey, “Politics and Space/Time”, NLR, 1992, Karen Lepri, Fig 1, Horseless Press, 2012, Phaswane Mpe, Welcome to our Hillbrow, Ohio, 2001/11, and this

Plus Anne McGuire @ SFMOMA, Yayoi Kusama & Sharon Hayes @ the Whitney, Alighiero Boetti, Taryn Simon, & “A Heap of Language” @ MOMA, Liam Gillick and “Anti-Establishment” @ the Hessel


Bertolt Brecht, Mr Puntila & His Man Matti, 1940/ 2004, Orson Scott Card, Ender’s Game, 1985, Kristen Gallagher, We Are Here, Truck, 2011, Philip Auslander, “The Performativity of Performance Documentation,” PAJ, 2006, Dorothy West, The Wedding, 1995, Amelia Jones, “Presence in absentia: experiencing performance as documentation,” Art Journal, 1997, TJ Clark, “For a Left with no Future,” NLR, 2012, Ronald Paulson, The Art of Riot in England and America, Owlworks, 2010, Gary Brechin, Imperial San Francisco: Urban Power, Earthly Ruin, UC, 1999, John McPhee, Assembling California, FSG, 1993, Marco Deseriis & Jodi Dean, “A Movement Without Demands?” Possible Futures, 2012, Stephen Wright, Meditations in Green, 1983, Roberto Schwarz, “Political Iridescence: The Changing Hues of Caetano Veloso,” NLR, 2012, Mark Fisher, Capitalist Realism, Zero Books, 2009, Peter Schumann, 27 Dirt-Cheap Money Dances, Bread & Puppet, 2009, Kim Hyesoon, All the Garbage of the World, Unite, trans Don Mee Choi, Action Books, 2011, Joanne Kyger, As Ever: Selected Poems, Penguin, 2002, “Poetry During OWS,” ed Thom Donovan, Rethinking Marxism, 2012, Itch #14, The Breaks, eds Hoffmann/Paggett/Wolf/Wolfe, 2012, Langston Hughes, The Big Sea, 1939

Plus “Occupy Bay Area” & David Shrigley @ YBCA


Doris Lessing, The Golden Notebook, 1962, Brandon Brown, The Persians by Aeschylus, Displaced Press, 2011, Maria Fusco, The Mechanical Cupola, Sternberg Press, 2010, Corina Copp, Pro Magenta/Be Met, UDP, 2011, Robert Fitterman, Holocaust Museum, Veer Books, 2011, Auto Italia, We Have Our Own Concept of Time and Motion, 2011, Jonathan Skinner, Birds of Tifft, BlazeVOX, 2011, Amy De’Ath, Caribou, Bad Press, 2011, Arevalo/Park/Saltarelli/Scepanski, eds., Creative Destruction, Whitney Museum, 2012, Saginaw #2, ed D.H.Horton, Jerzy Pilch, A Thousand Peaceful Cities, trans David Frick, Open Letter, 2009, Where Eagles Dare #1, Steve Orth, ed, 2012, Jean Rhys, Quartet, 1929, Maria Damon, “Micropoetries as Po(e)tential Kindling for Greater Revolution,” draft, 2012, Silvia Federici, “Feminism And the Politics of the Commons,” 2010, Divya Victor, Goodbye, John!, Gauss, 2012, Trisha Low, Confessions [of a variety], Gauss, 2010, Kazuko Shiraishi, Seasons of Sacred Lust, trans various, NDP, 1976/78, Irving Stettner, On the 2nd Avenue Patrol: selected poems, Home Planet, 1976, Adam Phillips, “The Master-Mind Lectures,” 2002, W.G. Sebald, “The Remorse of the Heart: on memory and cruelty in the work of Peter Weiss,” trans Anthea Bell, 1999/2003, Aase Berg, Transfer Fat, trans Johannes Göransson, UDP, 2002/12, André Lepecki, “As if Dance Were Visible,” Performance Research., 1997, Joan Didion, Play it as it Lays, 1970, Armed Cell #2 & #3, ed Brian Ang, 2012, Joan Didion, The Year of Magical Thinking, 2005, Iain Sinclair, Slow Chocolate Autopsy, Phoenix, 1997, Shannon Jackson, Social Works: Performing Art, Supporting Publics, Routledge, 2011, Inger Christensen, Azorno, trans Denise Newman, NDP, 1967/2009,

Plus Adi Nes & Shimon Attie @ Jack Shainman Gallery, Nicole Eisenmann & Christopher Astley @ Leo Koenig, “Creative Destruction” @ The Kitchen, Thomas Demand @ Matthew Marks, Martin Kippenberger @ Carolina Nitsch, Tauba Auerbach & Sherrie Levine @ Paula Cooper, Anish Kapoor @ Gladstone, Tonico Lemos Auad @ CRG, Mark Bradford @ SFMOMA, “Streetopia” @ Luggage Store


Nina Power, One Dimensional Woman, Zero Books, 2009, Jim Dodge, Fup, 1987, Rudolph Wurlitzer, Drop Edge of Yonder, 2008, Kristin Ross, The Emergence of Social Space: Rimbaud and the Paris Commune, Minnesota, 1988, Sheila Ortiz Taylor, Faultline, NAIAD, 1982, Richard Brautigan, Willard and his Bowling Trophies, 1975, Christopher Petit, Robinson, Viking, 1993, Sachiko Murakami, Rebuild, Talonbooks, 2011, David Harvey, Rebel Cities, Verso, 2012, Reyner Banham, Scenes in America Deserta, Peregrine Smith, 1982, Flannery O’Connor, Wise Blood, 1952, Sean Bonney, Happiness: poems after Rimbaud, Unkant, 2011, ROLU & WELCOMEPROJECTS, Here There, There Here, HDTS, 2011, Laurie Weeks, Zippermouth, Feminist Press, 2011, Chris Goode, ed., Better Than Language: an anthology of new modernist poetries, ganzfeld, 2011, Joanna Russ, The Two of Them, 1978, WIlliam Rowe, Nation, pub?, 2011,  Joe Luna, ed., Hi Zero #14, 2012, Jean Rhys, Voyage in the Dark, 1926

Plus Arnold J. Kemp @ 2nd floor Projects, Picasso’s Vollard Suite @ the British Musuem, Yayoi Kusama, Anna Molskam @ Ciprian Muresan @ Tate Modern, Gillian Wearing @ Whitechapel